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Joëlle Morris, Mezzo Soprano

Joëlle Morris, Mezzo Soprano

Category Archives: Past engagements

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Venticordi Chamber Music

31 Friday Dec 2021

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Bates College, Chiharu Naruse, Dean Stein, Dorothy Rudd Moore, Kathleen McNerney, Margaret Brouwer, Olin Arts Center, Venticordi

Thursday, February 17th at 7:30pm

VentiCordi Chamber Music

Poetic Justice

Olin Arts Center Concert Hall

Bates College

75 Russel St. Lewiston, ME

Dorothy Howell – Air, Variations and Finale, for Violin, Oboe, and Piano

Dorothy Rudd Moore – Twelve Quatrains from the Rubaiyat, for Mezzo-Soprano and Oboe

Malcom Arnold – Suite Bourgeoise, for Oboe, Flute and Piano

Margaret Brouwer – Declaration, for Violin, Mezzo-Soprano and Piano

Kathleen McNerney, Oboe; Dean Stein, Violin; Chiharu Naruse, Piano; Joelle Morris, Mezzo-Soprano; Krysia Tripp, Flute

Admission: This event is FREE, but reservations required

More info https://www.bates.edu/music/events/venti-chordi-chamber-music/

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Alice Esty: The Legacy Effect

31 Friday Dec 2021

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Alice Esty, Bates College, Chiharu Naruse, Francis Poulenc, Malinda Haslett, Olin Arts Center

Friday, March 11th 2022 at 7:30pm

Alice Esty: The Legacy Effect

Olin Arts Center Concert Hall

Bates College

75 Russel St. Lewiston, ME

On the shelves of the Muskie Archives at Bates College, lie the original manuscripts of some of the greatest musical composers of the 20th Century, including Francis Poulenc, Darius Milhaud, Germaine Tailleferre, Ned Rorem and Marc Blitzstein. These priceless works were commissioned by a 1925 Bates graduate, Alice Swanson Esty (1904-2000), one of the notable patrons of the arts that the United States has ever produced. She is known to few by name, yet her commissioned works have become essential canon of the classical music repertoire.

Featuring Joëlle Morris, Mezzo-Soprano, Malinda Haslett, Soprano and Chiharu Naruse, Piano.

Alice Esty: The Legacy Effect will present an overview of the collection, featuring original manuscript repertoire found in the Muskie Archives.

Pre-concert lecture with Chris Schiff, Bates College Librarian at 6:30pm

Live Stream. FREE. Reservation required. https://www.bates.edu/music/events/alice-esty-the-legacy-effect/

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Colby College – Music in the Museum Series

31 Friday Dec 2021

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Amy Beach, Claire Brook, Colby College, Florence Price, Libby Larsen, Music in the Museum, Rosephanye Powell, Women Composers

Wednesday, March 30th at noon

Colby College – Music in the Museum Series

Trailblazers: Arts Songs by American Women Composers

Colby College Museum of Art

5600 Mayflower Hill Dr, Waterville, ME

A Celebration of American women composers, the recital will highlight works of American composers Amy Beach, Florence Price, Claire Brook, Libby Larsen & Rosephanye Powell.

With Joëlle Morris, Mezzo-soprano, and Christina Spurling, Piano.

All performances begin at noon in the Paul J. Schupf wing for the works of Alex Katz in the Colby Museum of Art. Events in the museum are open to the public, seating is limited and masks must be worn.

More info: https://www.colby.edu/musicdept/upcoming-events/

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Venticordi Chamber Music

29 Monday Nov 2021

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Chiharu Naruse, Dean Stein, Dorothy Rudd Moore, Kathleen McNerney, Margaret Brouwer, Venticordi

Sunday, December 5th at 2 pm

VentiCordi Chamber Music

Poetic Justice

Woodfords Church

202 Woodfords St, Portland, ME

Dorothy Howell – Air, Variations and Finale, for Violin, Oboe, and Piano

Dorothy Rudd Moore – Twelve Quatrains from the Rubaiyat, for Mezzo-Soprano and Oboe

Malcom Arnold – Suite Bourgeoise, for Oboe, Flute and Piano

Margaret Brouwer – Declaration, for Violin, Mezzo-Soprano and Piano

Kathleen McNerney, Oboe; Dean Stein, Violin; Chiharu Naruse, Piano; Joelle Morris, Mezzo-Soprano; Krysia Tripp, Flute

Admission: more info https://www.venticordi.com/tickets

    •    General Admission: $25

    •    Seniors: $20 (group discounts available)

    •    18 and younger: $5

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Resinosa Ensemble – Quietside Chamber Music

25 Tuesday May 2021

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Daniel Sonenberg, john newell, Marianna Filippi, Quietside Chamber Music, Resinosa Ensemble, Richard Nelson

Saturday, August 7th at 2 pm

Made in Maine: Reflections in Song

Quietside Chamber Music

Somesville Union Meetinghouse

Mount Desert Island, ME

Made in Maine: Reflections in Song features carefully chosen songs from the Resinosa Ensemble commissioned premieres: selections from Daniel Sonenberg’s six song cycle Beauty is Not Enough, with text by Edna St. Vincent Millay; selections from John Newell’s Night Songs with poems by Sara Teasdale; selections from Richard Nelson’s A Forest of Glass, a Kaleidoscope, a Dream, featuring poems by Ellen Taylor; and the world premiere of Marianna Filippi’s three movement song cycle Rilke’s Reverie featuring poems by Raine Marie Rilke.

https://www.facebook.com/quietsidemusic/

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Festival la Belle Epoque 2021

01 Saturday May 2021

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Evian-les-Bains, Festival Evian la belle époque, La Belle Epoque, Villa du Chatelet

Sunday, July 26th, 2021 at 4:30pm

Paris – New York : De l’opérette à la comédie musicale

Festival la Belle Époque

Jardin de la Grande Villa du Châtelet, 31 Quai Paul Léger

Evian-Les-Bains, France

evian-belle-epoqueLe compositeur Camille Saint-Saëns déclarait à son propos qu’elle était « une fille de l’opéra-comique ayant mal tourné, mais les filles qui tournent mal ne sont pas toujours sans agrément ». C’est en effet des célèbres opéras bouffes de Jacques Offenbach (La Belle Hélène, La Périchole, La Vie parisienne…) qu’est née l’opérette, ce genre lyrique si caractéristique de la Belle Époque. À son tour, elle engendrera la comédie musicale américaine dont le succès ne s’est pas démenti depuis le début du XXe siècle.

Grâce au talent de la cantatrice franco-américaine Joëlle Morris, ce concert d’ouverture nous fera voyager de Paris à Broadway, en nous donnant à savourer plusieurs airs célèbres. 

————————————

Avec Joëlle Morris (mezzo-soprano) et Jean-Marie Reboul (piano).

Musiques de Jacques Offenbach, André Messager, Georges Gershwin, Irving Berlin, Cole Porter…

Lectures : Jean-Michel Henny

Jardin de la Grande Villa du Châtelet, 31 Quai Paul Léger

Plein tarif : 14 euros / Tarif réduit : 12 euros

http://www.cafeuropa.org/pages/festival-evian-la-belle-epoque-2021.html

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Resinosa Ensemble Bates College

25 Thursday Mar 2021

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Bates College, Daniel Sonenberg, john newell, Nancy Gunn, Resinosa Ensemble, Richard Nelson

Thursday, March 11th at 7:30 pm

Made in Maine: Reflections in Song

Resinosa Ensemble

Bates College Online

Olin Concert Hall Online concert series

Made in Maine: Reflections in Song features carefully chosen songs from the Resinosa Ensemble commissioned premieres: selections from Daniel Sonenberg’s six song cycle Beauty is Not Enough, with text by Edna St. Vincent Millay; selections from John Newell’s Night Songs with poems by Sara Teasdale; the final movement of Nancy Gunn’s Spiresongs, poems by Elizabeth Spires; and selections from Richard Nelson’s A Forest of Glass, a Kaleidoscope, a Dream, featuring poems by Ellen Taylor.

Q&A at 7:30pm with the artists and composers

https://www.facebook.com/events/2901767660146184?active_tab=about

Recording of the concert: https://www.bates.edu/music/2021/03/11/the-resinosa-ensemble/

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Resinosa Ensemble Colby College Online

05 Friday Feb 2021

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Colby College, Daniel Sonenberg, john newell, Music at Colby series, Music in Maine, Nancy Gunn, Resinosa Ensemble, Richard Nelson

Thursday, February 20th at 7:30 pm

Made in Maine: Reflections in Song

Resinosa Ensemble

Colby College Online

Music in the Museum Online concert series

Resinosa ensemble colbyMade in Maine: Reflections in Song features carefully chosen songs from the Resinosa Ensemble commissioned premieres: selections from Daniel Sonenberg’s six song cycle Beauty is Not Enough, with text by Edna St. Vincent Millay; selections from John Newell’s Night Songs with poems by Sara Teasdale; the final movement of Nancy Gunn’s Spiresongs, poems by Elizabeth Spires; and selections from Richard Nelson’s A Forest of Glass, a Kaleidoscope, a Dream, featuring poems by Ellen Taylor

Concert funded in part by the Hazel Hoyt Witherell Memorial Concert Fund
Admission for this online concert is free. 
For the event link and more information please visit: https://www.facebook.com/events/242597807373552

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Beethoven’s 9th Symphony

22 Wednesday Jan 2020

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Bates College Choir, Beethoven 9th Symphony, Maine Music Society

(Canceled due to health requirements)

Sunday, March 29th, 2020 at 4pm

Beethoven’s 9th Symphony – Alto Soloist

Basilica of Saints Peter and Paul

122 Ash St., Lewiston, me 

Beethoven-1The Maine Music Society Chorale and Orchestra will join music-making forces with the Bates College Choir and Orchestra, the Schola Cantorum of the Basilica of Saints Peter and Paul and the chamber choirs of Edward Little and Lewiston High Schools to present the monumental 9th Symphony by Ludwig van Beethoven. The year 2020 marks the 250th anniversary of Beethoven’s birth. It is a most fitting way to celebrate this composer by performing his last symphony, which includes the triumphant choral last movement – the “Ode to Joy.”

Ticket prices vary by seating section.  To purchase tickets, click here or call 207-333-3386.

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Amethyst Ensemble and Oratorio Chorale

21 Tuesday Jan 2020

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Amethyst Chamber Ensemble, Oratorio Chorale, Tenebrae

Saturday, March 7, 3:00 p.m., St. Luke’s Cathedral, Portland
Sunday, March 8, 3:00 p.m., St. John the Baptist Church, Brunswick 

Tenebrae: From Darkness to Light 

During the darkest days of winter, join us for a candlelight concert celebrating light, hope, and community, with music by Palestrina, Hildegard von Bingen,  Pärt, Allegri, and Macmillan.

Featuring the Amethyst Chamber Ensemble, Joelle Morris – Mezzo Soprano and Mary Sullivan, Soprano. 

Tenebrae

Tickets: Adults $20 advance, $25 at the door. Students half-price. Children under 12 free if accompanied by a ticketed adult, but tickets are required for seating.To purchase advance tickets: https://brownpapertickets.com/profile/1143574
or call 1-800-838-3006

https://oratoriochorale.org/

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“The mezzo-soprano Joëlle Morris sang with the requisite passion, conveyed in an admirably dark vocal tone.”       

 — Portland Press Herald

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